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If You Want To Write: Seize the Day!
By K Wordbird Bate Expert Writing Coach
We think of writers holed up day-after-day in their lonely writer’s garret. They eat bread and cheese, slosh down coffee or booze, and pour out their souls in a dimly lighted, bug infested “loft.” Many a writer of yesteryear did live just that way. Their sensitive awareness of social conditions and the inner human world sometimes made them unpopular, and life difficult. There are recluse writers also, who astound us by producing a tapestry of stories full of true-to-life details on wealth, or intricate relationship, which that writer never experienced. Sitting at a comfortable ladies desk in the suburbs, one can write up a swashbuckling’ pirate. We do not have to live a story, to bring it to life.
On the other hand, with few exceptions, a writer has experienced the landscape, the people, the struggle, or similar feelings, related to what he or she writes. Experience is our best material. Many a writer complains of the isolation that limits writing. The more life we embrace, the deeper, broader and more fully we can put experience into words.
I have not talked about classes and workshops yet, but, with some reservations, I am supportive of all the involvement, learning, and opportunity in the writing world you can find and attend. I sure owe great debt to many writing teachers, lecturers, and fellow students, not only for what they taught me, but also for the encouragement they offered.
One such workshop stands out for me today, when I talk about writers and life experience. With apologies to all, I cannot remember this playwright’s name, as it was many years ago, except that it was John. John’s view on writers is that you cannot hope to write vivid, believable stories “when you are sitting alone at a desk.’ He talked about writing dialogue, for instance. “How can you tell an actor what should come out of his mouth, from your chair in your house? You’ve got to get UP.”
Often writers describe themselves as “observers” of life, watching from the outside, rather than participants. I believe we can, and should, be both keen observers, and active participants, in a balance suited to us.
Create experiences. Let them fill you as a person, and deepen your spirit and knowledge. Create a habit of living as fully as possible. I do not mean wild and crazy. That’s to avoid life. Full living is like this: you are walking along a city street, and you pass a tiny alley. You notice it is painted azure blue. You glimpse some kind of café, far down at the end…GO in.
Doors open, and we walk through, to create fuller lives. My friend had an extra ticket to hear a concert pianist, and though I did not think I would enjoy it, I said yes. I was listening there in the dark, to beautiful music, when my friend came in. To my horror, I see her trip, and tumble right over the back of the seats. A woman dressed in evening gown black, wearing sequins and high heels, just fell directly over the back of the seats! Her legs are upended and kicking. Yet not one person makes a sound. The pianist goes on playing. The audience goes on listening. No one moves to help. My friend, astoundingly, is also silent. She uprights herself, smoothes her dress and takes her seat. She explained later that one simply does not make noise, in a concert hall.
If I had said no thanks, I’m busy, I don’t care for piano music, I would have missed that bizarre and fascinating social experience. I said yes, and so I learned something about a world foreign to me. I also grew in music, and in friendship. Throughout my life, I say “yes” to opportunities and experiences, and as a result, I have thousands of small and large, ordinary and unusual experiences that form my view of the world, and fill the well of my spirit and my creativity. For a writer, this means having a lot to say and share.
Other experiences not missed: learning to snow ski on my face. A young boy from the poverty projects who fell off his bike. A wrong turn, to discover a lighted Christmas Store. This sign by the side of the road, “World’s Fattest Gopher.” Habitat for Humanity. A phone call to offer me a job for which I had not applied. Scorpions sunning on the highway.
Accept opportunities. Fill up your writing source. Say yes, yes, yes, to connecting with, stopping for, following, and experiencing life. Walk through doors, follow sounds, meet people, and try new things. Then…write it down, in detail, at your desk.
Let Yourself Bloom
© Kimberly Bate
photo of South African alley by catz2


One of the reasons I would like to write short stories is to help remember those snapshot memories, past expeditions across Canada, across engineering challenges that seem like the TV show "The Pretender" across brief skill success before moving on to next job...thrills, offers, friends-community missed and future business challenge that would benefit from catching up to skills that would so much more valuable had I started at age 12...writing, learning acoustic guitar, macro photography...so 2 out of 3 is great!
I said "been there done that" at a certain age, then bigger challenges suceeded and now a bigger reach on the horizon...writing I want almost as much as playing guitar, or more trail macro photography.
So I started a list of stories, but translating lists into characters that demonstrate or mentor the next generation to learn young and believe tha priceless fun it is to have a the confidence of a lifetime skill...writing, music, photography, whatever.
How do I get from mentor theme snapshot memories to short stories...? ...develop character, storylines, something as exciting as Obama's promise to change the world by example. I know, 30 minutes after dinner EVERY day...how do I get from list to storyline?
Great question. A short answer you already provided: write! yes, every day.
Try this for a start: put just one of your list ideas at the top of a piece of paper. Write for 10 to 30 minutes on only that. No stopping to critic or correct. Just let the memory flow.
You may want to keep doing that with each item on your list. One each day. Get the rough slide images down on paper.
Or you may want to take the next step to create a more finished story of that first idea.
Try the first one, and let us know how it goes.
You've said you want to get from A to B; idea, to finished product. But there are many steps between A, and B.
The first thing to do, always, is develop that writing habit. This effort alone will take you farther from A, toward B. Your "dumps" will become more and more skillful; coming from a deeper creative place, as you practice each day. Like anything, writing is a muscle that strengthens with exercise and practice. If you only have 15 minutes, make it a daily 15 minutes. Don't look toward B, yet.
Once you have "dumped" your idea onto paper, then you keep on with your daily writing, but also take the next step toward developing a finished piece.
I have tried, some are blank snapshot photo memories without a story line...others are filled with actual 70s names and faces and conversations. Some of the snapshot photo memories are blank for a reason...not positive or negative just nothing...yet.
A grade 9 crush...not pretty...so out of my league...became Prom Queen, guitar player...and Randy's new blue Road Runner...THE END...huge door slam....
Lesson...big fish eat, little fish...repeated by a UofToronto wiz kid, friend, yoga teacher, R&D project leader.
...sorry, I am still watching the Bourne Supremacy movie...the book must be dangerous to put down, once started reading.......
These two paragraphs seem a long way from a short story...mentor persuasion.
ANY comments appreciated.
GT
Ah I see. Your "snapshot" is not a snapshot of a moment. It is of a whole series of events, feelings, thoughts, reflections. I think that's too much for a short daily writing. You do end up with a sort of fast slide show, where the pictures are not connected together. No photo is fully flushed out.
Try just ONE moment. Tomorrow. 15 minutes. Top of the page: A 9th grade crush. Write for 15 minutes only on that. Just the crush. Not the later prom queen, out of your league, none of the rest. Bring up the details, how she looked, feelings, the school, what she wore, what you said and did. Try just a single afternoon you recall, when you had a crush on a girl.
I have a similar problem in gushing out too much content at once.
I have trouble with the 15 minute a day thing as my writing is philisophical in nature and I am I suppose self critical which limits my creativity. any suggestions.
Maureen
I think this is a great philosophy for living life, as well as for giving you vivid experiences for writing about. You've given me food for thought Wordbird, Thank you!